Paper Moon

“Well, Paper Moon. Ryan O’Neal. I worked with Ryan O’Neal on Miss Match, a show we did together. He played my dad. And he is one cheeky, sweet, funny, feisty man that we lost, but what a legend. His work was so good and this movie is so good.”

“I love Paper Moon. But can you imagine she was, like, ten? How old was she? It’s an unbelievable Performance, both of them. It must have been very hard for her, but, like, what an… Oh, Madeline Kahn, this movie’s just… And Peter Bogdanovich, I mean, come on.”

“Paper Moon. Madeline Kahn, Madeline Kahn. Madeline Kahn, come on. Madeline Kahn, Madeline Kahn, Madeline Kahn. What a G.”

“Today is the release date of Paper Moon, so I am excited that I get to be one of the first people to talk about it. Paper Moon. Probably one of the strongest, most economical openings. In, I’d say 10 Seconds, you are interested in character. In about 30 Seconds, you are intrigued by the dilemma. And three minutes in, you’re rooting for the plot. And then ten minutes in, you are blindly allegiant to this relationship. This is just a great, great, great, great, great, great movie.”