“Thelma & Louise, Ridley Scott. Doing that for sure. I remember loving that, as a big-screen sort of metroplex movie while I was in film school, I believe. And I remember in film school, all the film directors and everybody would go see… go to the art house only on the weekend. And they’d come back and talk about the Eisenstein, black and white, or what have you, and I’d listen, and I would always go to the multiplex and go see, like, this or… or Die Hard or something. I’d come back on a Monday and I’d tell them about it, and they would always bitch and moan, like, “It’s garbage.” “What are you talking about?” So I started to think, “Oh, man, I gotta go to the art house only, if I’m going to be an artist.” And then one day I was like, “Bullshit, I like these movies.” I went and I started talking about– They were like, “Oh, that’s bullshit.” I was like, “Okay, why? Why is it bullshit?” And they were like, “Well, I don’t know. I mean, we didn’t see it. We’re just saying, because it was, you know, big studio stuff.” Anyway. Like Thelma & Louise. Thank you, Ridley.”
