“It’s my guy. Pan’s Labyrinth. I was so moved by the way that he uses fantastical expression to talk about something very real and very painful, like the Spanish Civil War. And then, of course, these quintessential, iconic creatures that he created that feel like they’ve always been a part of our psyche and somehow you’re like, 'Oh, yeah, of course, the guy with the eyes in the hands.' And it’s just such incredible visual poetry.”