Renate Reinsve

“I just saw Pickpocket and Bresson. Bresson is really interesting because he's very progressive in his acting because there will always be acting ways of acting that are more fashionable for the time you live in. He believed that all our actions are mechanical and you don't really choose what you do. His actors are really special, they're very open because they are not doing very much.”

“This is White Material. I just love the sensibility and the sensuality of Claire Denis and the way she elevates kind of everyday moments to be very sensible and very like I'm always almost there you know I can smell stuff I can feel stuff when I see her films.”

“This you can imagine Mulholland Drive David Lynch when I was young and I was in shock and I saw it maybe like 20 times and I read all about it and I read like people try have tried to understand it and actually going crazy trying to understand it I just love him...”

“I'll take a Kiarostami, Certified Copy. On the road, like you said.”

“The Piano Teacher, by the way, this is like the best acting. It's her of course, her presence and her detail in thought and her detail in what she's going through. She's very free but she's also really controlled so she can go anywhere with the scene or with the moment.”

“My all-time favorite director is Andrei Tarkovsky and this is a newly restored edition of Mirror. I come from a place where you don't really see films and it's a very small place... And I wasn't exposed to films and art until very late.”

“And I just this I this trilogy by Ingmar Bergman.”

“Renoir, I'll take that one too.”