Saul Williams and Anisia Uzeyman

“When I was a kid like Videodrome... Thought of ingesting all of these DVDs into my stomach...”

“Do the Right Thing. I have a crazy story with Do the Right Thing because I was an exchange student to Brazil when I was 16 and the day that I came home... My cousin was like yo wait to hear this... There's this song called Fight the Power and this movie called Do the Right Thing. It's the summer of 89... I went to the theater to see Do the Right Thing.”

“The Mirror. Mr. Andre Tarkovsky. I do think that it's with the Mirror that I started to be really passionate about... What an image, what a framing, what a movement. Camera movement is also the fragmentation of the story and the layers, the time layers how it goes through times in his films in general and in this one in particular. The opening scene of this film is unbelievable, unbelievable. It's a one shot.”

“Is a more contemporary film that I'm super happy to see here, it's Time. Documentary that is just brilliantly shot, brilliantly edited. It really blew our minds... Aside from the fact that it's such a touching story and follows such wonderful subjects... The way that the film comes together is the editing. The editing is really just magical.”

“This is a mutual favorite of both of ours... In the Mood for Love, but really everything that Wong Kar-wai has done. It has a beautiful relationship to music as well... He sometimes has films like a jukebox musical. One of my favorite scenes is you talk about Hendrix and Happy Together... Movement and he's dancing. Oh my God, most beautiful actress in the world.”

“Did we speak about... Yeah, master, master of African Cinema from Senegal. He's going into folktale cinematography to extract some very beautiful metaphor for the present and I think that's also something that is very African.”

“Pier Paolo Pasolini, Arabian Nights. My God. I mean the framing, the depth of field, the number of people you see and also discovering those beautiful Faces and he had also a relationship to actors that it's so true... To bring I don't know her life or something that is very pure.”